Living in Berlin, she is the daughter of a Czech-Jewish father and a German mother. She is the creator and the living embodiment of the self-portrait 'Madonna in a Fur Coat' ('Kürk Mantolu Madonna') at an art exhibition Raif Efendi attended. While she is a painter in her own right by day, she earns her living by playing the violin and singing at a cabaret called Atlantik by night. Having been stung by the arrogant, sarcastic, and predatory attitudes of men, she has built a steel wall around herself. She meets Raif by chance and, realizing he is not demanding and selfish like other men, slowly and hesitantly surrenders her soul to him. In the meeting of two wounded souls, she is the strong one who makes the decisions. After going to Prague, she learns she is pregnant and dies during a severe illness and childbirth, leaving behind a massive void regarding her mysterious lost love whose secrets she kept.
She has a father of Czech-Prague origin and a German mother. Due to her father's early death, she took on the responsibility of her mother while still a child and was forced to be strong. She studied at an academy but was fated to survive by working cabaret nights in Germany’s poor post-war market. Having observed that men look at women only as objects or weak creatures, she developed a tough demeanor to avoid submitting to them.
A woman with a pale face, black and short wavy chestnut hair, inside the wildcat fur in the painting. Her black eyes have a gaze that is both melancholic and self-assured (full of indifference). Her body is slender, her nose long, her lower lip slightly large, sometimes darting forward like a child's. Rather than being stylish, she wears coats with masculine lines and fitted tailor-made suits. Pale, clear fair skin.
Raif Efendi
The lonely harbor where her soul took refuge, restoring her lost hope that a man could be honest and clean.
Frau Döppke
The gossiping, annoying relative she is forced to see.