Adnan Bey's only daughter, who grew up deprived of maternal love, is hypersensitive and a hypochondriac. She is very fond of playing the piano and daydreaming. With the arrival of a stepmother in the house, she has to share her father's affection and sinks into melancholy like a flower fading day by day. Approaching marriageable age, she clings tightly to the fake love Behlül directs toward her. She starts to see Behlül as a savior angel. However, with her illness (fainting spells) and as she begins to uncover the secrets of the house, she discovers that her whole life is built on a lie and becomes one of the tragic victims of the novel.
She lost her mother at a young age. She was raised with the utmost care by her father, Adnan Bey, and the entire mansion staff. She never forgot the absence of her mother and viewed every new person as an insult and a theft to her mother's stature.
She has pale, yellowish hair and bluish eyes that look constantly sad and tired. She has a childlike thinness and fragility. Her clothing consists of simple, white, and light tulle, causing Behlül to refer to her as 'the girls on Japanese fans.'
Bihter
An insidious enemy who has taken over her home and life.
Behlül
Her first love and most painful disappointment.
Adnan Bey
The father she loves more than anything but whom she 'lost' to Bihter.
Madmazel de Courton
The only refuge where she found true maternal affection.